Why some posts age badly and others just get old
Old writing can be charming. Badly-aged writing makes you wince. The difference is avoidable, and it isn't what most people think.
I write novels and I make music, and I stream, which means I have a lot of practice at the specific discomfort of looking at something I made two years ago. This site started as a joke about that feeling. But building it forced me to get precise about a question I'd only ever handled intuitively: what makes something age badly, as opposed to just being old?
Those are different. Old writing that is plainly of its time can be charming. Writing that has aged badly makes you wince. The difference is worth understanding, because the second one is avoidable and the first one isn't.
Dated is fine. Trying to be current is not.
Here is the pattern I keep finding. Things that simply reflect when they were made — a reference to a phone that no longer exists, a price that sounds absurd now — read as texture. They date the piece without damaging it.
What damages it is evidence that you were trying to sound current. Slang deployed slightly wrong. A format adopted a bit after its peak. A joke structure that was everywhere for four months. These don't just date the work — they date your relationship to the work, and they reveal you were watching the room while you wrote.
That's the effort gap again, delayed by two years. At the time nobody could see the effort, because everyone was making it. Once the trend passes, the effort is all that's left visible.
The three-year test
The practical version I use on my own drafts: will this need context in three years?
Not "will it be relevant" — relevance is fine to lose. Will a reader need to know something external to understand what I was doing? If yes, you've bound the piece to a moment, and when the moment goes, the piece goes with it.
This isn't an argument for writing timelessly, which mostly produces writing about nothing. Some of the best things are deeply of their moment. It's an argument for knowing which one you're doing. A post that's disposable on purpose is fine. The wince comes from finding out something was disposable when you thought it was permanent.
Sincerity survives; posturing doesn't
The thing that most reliably holds up is the thing people are most afraid of: meaning it.
Going back through my own old work, the parts that make me wince are never the earnest ones. They're the ones where I was hedging — being ironic so I couldn't be accused of trying, gesturing at a feeling instead of stating it. The earnest passages can be clumsy, and clumsy ages fine. Protective irony ages terribly, because once the social context that made the protection necessary is gone, all you can see is someone flinching.
This is counterintuitive if you're worried about cringe, because irony feels like the safe option. It's the opposite. Irony is a bet that the reader shares your reference frame. Sincerity doesn't need that bet to pay off.
What this means for a post you're about to publish
Three things I'd actually do:
- Separate disposable from permanent before you write. A reply to something happening today is disposable and should be — don't polish it for posterity. Something you want to still stand behind should avoid anything requiring this week's context.
- Cut the hedges last. Go through and remove every "just," "kind of," "I guess," and pre-emptive joke about your own post. What's left is either something you meant, or nothing. Both are useful to discover.
- Notice if you're matching a format. If your draft has the shape of something you've seen a lot of recently, that shape has a shelf life. Sometimes worth it. Worth knowing you're doing it.
And the uncomfortable one
Some of what you post will age badly no matter what you do, because you'll change. That isn't a failure of craft. The alternative to occasionally wincing at old work is never having made anything, or never having grown.
I'd rather wince. The wince means the person who wrote it and the person reading it are no longer quite the same, which is the whole point of continuing to do anything.
If you want a second opinion on a draft before it becomes something you wince at, the screening tool is free and forgets everything the moment it answers.